My paintings explore the interplay of differences, where forms, colors, and lines interact to construct meaning and reveal the unfamiliar within the familiar—or a sense of otherness. Without a predetermined structure, each work begins with a single gesture, evolving intuitively in response to materials and colors at hand. I work on any surface available, using whatever colors are present—not as limitations, but as opportunities to explore how even the simplest palette can activate a composition.

For me, the space of the image is where the painting happens—a mechanism of differences operating within the tension of organic and architectural-like forms, or symbolic elements in dream-like space. This space is both flat and spatial, a system where relationships between parts generate meaning. Inspired by Deleuze’s desiring-machines, my paintings respond to the “logic” of desire: not seeking completion, but allowing elements to shape the work as it unfolds.

Recently, I have felt closer to the spontaneity of my childhood, where shapes and colors first taught me how simple gestures could carry meaning. This renewed connection drives my exploration of abstract forms—not just as aesthetic choices, but as elements shaping thought and inviting new ways of seeing.